 |
|
Interpretation of Coloring Technique and Pigment Analysis for King Sejo’s Palanquin in Gongju Magoksa Temple, Korea
Ji Sun Kim, Chan Hee Lee
J. Conserv. Sci. 2019;35(5):403-415. Published online 2019 Oct 31 DOI: https://doi.org/10.12654/JCS.2019.35.5.03
|
|
Citations to this article as recorded by
 Raman spectroscopy of yellow organic pigments of large Korean Buddhist paintings from the late Joseon dynasty (17th–19th centuries)
Na Ra Lee, Ji Hyeon Yun, So Jin Kim
Journal of Raman Spectroscopy.2023; 54(8): 836. CrossRef Interpretation of the Pigments Analysis and Coloration Techniques for Ksitigarbha Bodhisattva Painting within the Myengbujeon Hall in Namwon Seonwonsa Temple, Korea
Dong Hee Jeong, Chan Hee Lee
Journal of Conservation Science.2023; 39(3): 269. CrossRef Evaluation of Stability and Deterioration Characteristics for the Rock-carved Standing Buddha Triad in Gyeongju Seoak-dong, Korea
Chan Hee Lee, Myoungju Choie
Economic and Environmental Geology.2021; 54(1): 137. CrossRef Analysis of pigments and damages for the 19th century White-robed Water-moon Avalokitesvara Painting in Gongju Magoksa Temple, Republic of Korea
Hye Ri Yang, Chan Hee Lee, Jeongeun Yi
Heritage Science.2021;[Epub] CrossRef Consideration of Making Techniques for Red Painted Roof Tiles from Presumed Site of Daetongsa in Gongju Using Nondestructive Analysis
Chan Hee Lee, Gyu Hye Lee, Je Won Jung
Journal of Conservation Science.2020; 36(5): 315. CrossRef
|