Observations on Selected Aspects of Liu Kang’s Painting Practice
Damian Lizun, Jarosław Rogóż
J. Conserv. Sci. 2022;38(5):460-481. Published online 2022 Oct 31 DOI: https://doi.org/10.12654/JCS.2022.38.5.09
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Citations to this article as recorded by
A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore
Damian Lizun, Teresa Kurkiewicz
Heritage.2024; 7(6): 2811. CrossRef A Multi-Analytical Investigation of Liu Kang’s Colour Palette and Painting Technique from the Shanghai Period (1933–1937)
Damian Lizun, Teresa Kurkiewicz, Bogusław Szczupak, Jarosław Rogóż
Applied Sciences.2023; 13(4): 2414. CrossRef Overview of Materials and Techniques of Paintings by Liu Kang Made between 1927 and 1999 from the National Gallery Singapore and Liu Family Collections
Damian Lizun, Jarosław Rogóż
Heritage.2023; 6(3): 3271. CrossRef New Insight into Liu Kang’s Village Scene (1931): A Non-Invasive Investigation by Technical Imaging
Damian Lizun
Heritage.2023; 6(7): 4919. CrossRef
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