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| From Paris and Shanghai to Singapore: A Multidisciplinary Study in Evaluating the Provenance and Dating of Two of Liu Kang’s Paintings |
| Damian Lizun |
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J. Conserv. Sci. 2021;37(4):322-339. Published online August 31, 2021 DOI: https://doi.org/10.12654/JCS.2021.37.4.02 |
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From Paris and Shanghai to Singapore: A Multidisciplinary Study in Evaluating
the Provenance and Dating of Two of Liu Kang’s Paintings Journal of Conservation Science. 2021;37(4):322-339  Technical examination of Liu Kang’s Paris and Shanghai painting supports (1929–1937) Heritage Science. 2021;9(1): Exploring Liu Kang’s Paris Practice (1929–1932): Insight into Painting Materials and Technique Heritage. 2021;4(2):828-863 A Multi-Analytical Investigation of Liu Kang’s Colour Palette and Painting Technique from the Shanghai Period (1933–1937) Applied Sciences. 2023;13(4):2414 Evolution of Liu Kang’s Palette and Painting Practice for the Execution of Female Nude Paintings: The Analytical Investigation of a Genre Heritage. 2022;5(2):896-935 Observations on Selected Aspects of Liu Kang’s Painting Practice Journal of Conservation Science. 2022;38(5):460-481 Overview of Materials and Techniques of Paintings by Liu Kang Made between 1927 and 1999 from the National Gallery Singapore and Liu Family Collections Heritage. 2023;6(3):3271-3291 Fault Gouge Dating in the Spanish Pyrenees: Fault Ages, Thrust Propagation Sequence, Wall‐Rock Provenance, and Thermal Constraints Tectonics. 2023;42(2): Lead Isotope Ratios of Lead White: From Provenance to Authentication Cultural Heritage Science. 2022;447-471 A preliminary study of Liu Kang’s palette and the discovery and interpretation of hidden paint layers Heritage Science. 2020;8(1): |
