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Observations on Selected Aspects of Liu Kang’s Painting Practice |
Damian Lizun, Jarosław Rogóż |
J. Conserv. Sci. 2022;38(5):460-481. Published online October 31, 2022 DOI: https://doi.org/10.12654/JCS.2022.38.5.09 |
Observations on Selected Aspects of Liu Kang’s Painting Practice Exploring Liu Kang’s Paris Practice (1929–1932): Insight into Painting Materials and Technique Evolution of Liu Kang’s Palette and Painting Practice for the Execution of Female Nude Paintings: The Analytical Investigation of a Genre Technical examination of Liu Kang’s Paris and Shanghai painting supports (1929–1937) The emergence of Liu Kang’s new painting style (1950–1958): a multi-analytical approach for the study of the artist’s painting materials and technique Painting Materials and Technique for the Expression of Chinese Inheritance in Liu Kang’s Huangshan and Guilin Landscapes (1977–1996) A Multi-Analytical Investigation of Liu Kang’s Colour Palette and Painting Technique from the Shanghai Period (1933–1937) Han Kang’s The Vegetarian and the International Booker Prize: reading with and against world literary prestige A preliminary study of Liu Kang’s palette and the discovery and interpretation of hidden paint layers Introductory Chapter: Selected Aspects of Non-Profit Organisations |